Bill Armstrong
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Palau de la Música Catalana Temporada, 2024

Tricycle, “Welcome to Delusionville”, Fall 2024, Peter Coyote

Esquire, “I Am Falling Apart”, August 2024, Abraham Chang

The New York Times, “What Medical Stories Do We Trust?", May 2024, Ross Douthat

The New York Times, “There is No Easy Way to Go Public About Cancer", March 2024, Daniela J. Lamas

SquareCylinder, “Color: a Portal to Higher Consciousness", July 2023, Mark Van Proyen

The New York Times, “Pope Hosts Artists in Sistine Chapel, Even Some Who Attracted Controversy", June 2023, Elisabetta Povoledo

The New Yorker, “An Alluring History of Photographic Blur", May 2023, Brian Dillon

Photo Elysée, "Flou: Une Histoire Photographique", March 2023, Delpire & Co

Square Cylinder, “Best of 2021", December 2021

The New York Times, “The Problem of Political Despair", November 2021, Michelle Goldberg

Design Quarterly Magazine, “Dolby Chadwick Gallery", Winter 2021

ilGiornale, “Il viaggio 'senza spostarsi': la magia della fotografia in mostra a Milano”, July 2021, Luca Romano

SquareCylinder, “Bill Armstrong @ Dolby Chadwick”, March 2021, David M. Roth

The Photo Review, "Quarantine: Artists and Writers on Isolation", 2020, Bill Armstrong with introduction by Lyle Rexer

Schilt Publishing & Gallery, "Keeper of the Hearth / Picturing Roland Barthes' Unseen Photograph", 2020, Odette England

Fotografare Magazine, “i Maestri del Colore”, January 2020, Emanuela Constantino, p.18-27

Lenscratch, “Falling Through History”, December 2019, Aline Smithson

Shadow & Light, Cover and Featured Artist Portfolio, November 2019, p.3-12

OD Review, “Falling Through History with Bill Armstrong”, September 2019, Collier Brown

BIS, “#Nofilter, Get Creative with Photography”, September 2019, Natalia Price-Cabrera, p.11

Musée, “Interview with Bill Armstrong”, September 2019, Kala Herh

International Center of Photography School, Courses and Programs Catalog, Fall 2019, Cover

Balam, June 2018, p.20-25

Contrasto Books, “A Matter of Light, Nine Photographers in the Vatican Museum”, June 2018, Micol Forti - Alessandra Mauro

Arte Magazin, “Zukunft Ohne Frauen”, June 2018, p.10-15

Lenscratch, “Partial Appearances”, April 2018, Aline Smithson

aCurator Magazine, “Mandalas”, April 2018

Creative Boom, “Soft Photographs of Silhouettes of People That Look Like Fine Art Paintings”, May 2018, Katy Cowan

Musée, “Weekend Portfolio”, March 2018

Yield, Snite Museum of Art, Interview by Michael Rippy, 2018

Photographie, Des Origines Aux Approches Actuelles, 2017, p.28, Celine Fresquet

American Chordata, Masks and Skulls from the Infinity Series, 2017, p.25-37, Bobby Doherty

LensCulture, Film Noir, 2016, Jim Casper

Focus on Photography, A Brief History of Photography as Art, 2016, p.98-99, Hermon Joyner & Kathleen Monaghan

Man of Metropolis, Illusions in Color, 2016, p.93, Cory Tallman

Elle Decor, The Modern Life Concept House, April 2016, p. 173, Elizabeth Martin

Arts and Culture, Intoxicating Spirituality, March 2015, Geoff Smith

Paper City, Mandalas, Buddhas, Stars and Saturday Night Specials, March 2015, Catherine D Anspon

Wired, Renaissance Sex Positions Reimagined as Dreamy Erotica, 2015, Zachary Slobic

PDN
, Photo of the Day, Light on Noir, February 9, 2015, by Hughes, Holly Stuart

Hadassah Magazine, "Dark Legacy", 2014, p.47

3D Magazine, Cover, 2014

International Center of Photography School, Program Guide, Summer 2014, cover

Éditions Palette, Photographie Contemporaine, 2013, cover, Herrero, Floriane

Thames & Hudson/Prestel, Why It Does Not Have To Be In Focus, 2013, pp. 208-209, Higgins, Jackie

University of Texas Press/Amon Carter Museum, Color: American Photography Transformed, 2013, p. 231, Rohrbach, John

The New Yorker, "'The Edge of Vision,' Revisited," Photo Booth, September 18, 2013, Traff, Thea

The New Yorker, "Scenes From a Story, Film Noir and Photography," Photo Booth, June 6, 2013, Goldstein, Melissa

Aperture, "Interview with Bill Armstrong," March 18, 2013

DLK Collection, "Bill Armstrong: Film Noir," March 6, 2013, Knoblauch, Loring

The Treachery of Images, "The Disordered Eye: Bill Armstrong," March 2013, D'Agostino, John

The Women's Room, "Bill Armstrong's Film Noir at ClampArt New York," February 26, 2013, Carr, Amanda

PDN, Photo of the Day, "Bill Armstrong: Film Noir," February 20, 2013, Ching, Darren

Open Photography Forums, "Editor's Choice: The Rich "Film Noir" Photography Of Bill Armstrong," February 19, 2013, Kellman, Asher

Dailyserving, "A Sense of Noir: Bill Armstrong at ClampArt," February 14, 2013, Macaux, Emily

New York Daily News, Gatecrasher, "Pope Benedict..," March 21, 2012, p. 22, DiGiacomo, Frank

Focal Press, Light and Lens, 2012, 2nd Ed., p. 210, Hirsch, Robert

Artscope, "Bill Armstrong: Photography," December 2011, pp. 28-29, van der Wende, André

Aperture, The Unseen Eye: Photographs from the Unconscious, 2011, pp. 142-143, 164-165, Hunt, W.M
.
Focal Press, Exploring Color Photography, 2011, 5th Ed., p. 133, Hirsch, Robert

The New Yorker, “Escape From Spiderhead,” December 20 & 27, 2010, p. 110, Saunders, George

The San Francisco Bay Guardian, “The San Francisco Bay Guardian Picks,” July 1, 2010, p. 20, Stander, Sam

Aperture, The Edge of Vision: The Rise of Abstraction in Photography, 2009, Cover, pp. 212-213, Rexer, Lyle

Photo-Eye, "Mandala", 2008, Bill Armstrong with introduction by Katherine Ware, 2008, Philadelphia Museum of Art

Photo-Eye, "Renaissance", 2008, Bill Armstrong with introduction by W.M. Hunt, Clamp Art

The Boston Globe, “A Radiant Renaissance,” March 11, 2008, Arts & Performance, p. 4, McQuaid, Cate

Focal Press, Photographic Possibilities, p. 36, Hirsch, Robert

New York Times, “Focus on Light and Thrift,” November 21, 2008

Philadelphia Inquirer, “Something to Meditate on: Mandalas in Photographs,” October 5, 2008, Newhall, Edith

Art Matters, “Photo Mandalas,” October 2008, Wasserman, Robert

Double Exposure, “Spirit With a Sleight of Hand,” April 2008, Schaefer, Robert

Camera Arts, “An Accidental Photographer,” January-February 2008, pp. 82-87, Armstrong, Bill

The New Yorker, “Silent Minds,” October 15, 2007, p. 39, Groopman, Jerome

Thames and Hudson, FACE: The New Photographic Portrait, pp. 212-213, Ewing, William

Eyemazing, “Apparition,” April 2006, pp.112-119, Shabsis, Claire Stacey

AG, “Going to the Many,” April 2006, pp. 30-41, Coleman, A. D.

Lemon, “Going to the Many,” February 2006, pp. 85-92, Coleman, A. D.

Harpers, “Findings,” January 2006, p. 96, Lapham, Lewis H

Utne Reader, “Calm in the Chaos,” January/February 2006, pp. 47, 51, Schimke, David

Photo-Eye, "Apparition", 2005, Bill Armstrong with introduction by A.D. Coleman, Clamp Art

Photo Techniques, “Color Harmony in Photography,” November/December 2005, pp. 24-27, Armstrong, Bill

Tricycle, “What is true happiness?” Fall 2005, pp. 71, 77, 84, Wallace, B, Allan

House & Garden, “(american scene) photography RING MASTER,” March 2005, p. 93, Cunningham, Caroline

The Boston Globe, “Bypassing reason for feeling, soft-focus photos return,” Jan, 14, 2005, p. E22, McQuaid, Cate

The Boston Phoenix, “Photographs by Bill Armstrong,” January 7, 2005, Arts, p. 23, Millis, Christopher

Maverick Arts Magazine, Issue Number 165, January 10, 2005, Giuliano, Charles

McGraw-Hill, Exploring Color Photography, 2004, p. 263, Hirsch, Robert

Interior Design, “Update,” July 2003, p. 40, Beautyman, Mairi

Chronogram, June 2003, Cover

Hayward Gallery, “About Face,” Exhibition Catalogue, 2004, p. 51, Ewing, William

Scalo, “Here is New York,” A Democracy of Photographs, 2002, p. 397, George, Alice

Art & Auction, “Private Eye: in collector John Bennette's world, image is everything,” November 2002, p. 94-107, Widdecomb, Ben

The Boston Globe, “Gallery Review,” July 12 2001, p. 17, McQuaid, Cate

Art Actuel, “L'homme qui murmure a l'oreille de l'infini,” May-June 2001, pp. 68-71, Nakamura, Rose Marie

Foto Reflex, “Viaje al Infinito,” Ano 6, No, 27, 2001, pp. 25-32, Tovar, Helena