Photographs from the Infinity SeriesHome Statement News CV Publications Contact Books Other Series
Palau de la Música Catalana Temporada, 2024
Tricycle, “Welcome to Delusionville”, Fall 2024, Peter Coyote
Esquire, “I Am Falling Apart”, August 2024, Abraham Chang
The New York Times, “What Medical Stories Do We Trust?", May 2024, Ross Douthat
The New York Times, “There is No Easy Way to Go Public About Cancer", March 2024, Daniela J. Lamas
SquareCylinder, “Color: a Portal to Higher Consciousness", July 2023, Mark Van Proyen
The New York Times, “Pope Hosts Artists in Sistine Chapel, Even Some Who Attracted Controversy", June 2023, Elisabetta Povoledo
The New Yorker, “An Alluring History of Photographic Blur", May 2023, Brian Dillon
Photo Elysée, "Flou: Une Histoire Photographique", March 2023, Delpire & Co
Square Cylinder, “Best of 2021", December 2021
The New York Times, “The Problem of Political Despair", November 2021, Michelle Goldberg
Design Quarterly Magazine, “Dolby Chadwick Gallery", Winter 2021
ilGiornale, “Il viaggio 'senza spostarsi': la magia della fotografia in mostra a Milano”, July 2021, Luca Romano
SquareCylinder, “Bill Armstrong @ Dolby Chadwick”, March 2021, David M. Roth
The Photo Review, "Quarantine: Artists and Writers on Isolation", 2020, Bill Armstrong with introduction by Lyle Rexer
Schilt Publishing & Gallery, "Keeper of the Hearth / Picturing Roland Barthes' Unseen Photograph", 2020, Odette England
Fotografare Magazine, “i Maestri del Colore”, January 2020, Emanuela Constantino, p.18-27
Lenscratch, “Falling Through History”, December 2019, Aline Smithson
Shadow & Light, Cover and Featured Artist Portfolio, November 2019, p.3-12
OD Review, “Falling Through History with Bill Armstrong”, September 2019, Collier Brown
BIS, “#Nofilter, Get Creative with Photography”, September 2019, Natalia Price-Cabrera, p.11
Musée, “Interview with Bill Armstrong”, September 2019, Kala Herh
International Center of Photography School, Courses and Programs Catalog, Fall 2019, Cover
Balam, June 2018, p.20-25
Contrasto Books, “A Matter of Light, Nine Photographers in the Vatican Museum”, June 2018, Micol Forti - Alessandra Mauro
Arte Magazin, “Zukunft Ohne Frauen”, June 2018, p.10-15
Lenscratch, “Partial Appearances”, April 2018, Aline Smithson
aCurator Magazine, “Mandalas”, April 2018
Creative Boom, “Soft Photographs of Silhouettes of People That Look Like Fine Art Paintings”, May 2018, Katy Cowan
Musée, “Weekend Portfolio”, March 2018
Yield, Snite Museum of Art, Interview by Michael Rippy, 2018
Photographie, Des Origines Aux Approches Actuelles, 2017, p.28, Celine Fresquet
American Chordata, Masks and Skulls from the Infinity Series, 2017, p.25-37, Bobby Doherty
LensCulture, Film Noir, 2016, Jim Casper
Focus on Photography, A Brief History of Photography as Art, 2016, p.98-99, Hermon Joyner & Kathleen Monaghan
Man of Metropolis, Illusions in Color, 2016, p.93, Cory Tallman
Elle Decor, The Modern Life Concept House, April 2016, p. 173, Elizabeth Martin
Arts and Culture, Intoxicating Spirituality, March 2015, Geoff Smith
Paper City, Mandalas, Buddhas, Stars and Saturday Night Specials, March 2015, Catherine D Anspon
Wired, Renaissance Sex Positions Reimagined as Dreamy Erotica, 2015, Zachary Slobic
PDN, Photo of the Day, Light on Noir, February 9, 2015, by Hughes, Holly Stuart
Hadassah Magazine, "Dark Legacy", 2014, p.47
3D Magazine, Cover, 2014
International Center of Photography School, Program Guide, Summer 2014, cover
Éditions Palette, Photographie Contemporaine, 2013, cover, Herrero, Floriane
Thames & Hudson/Prestel, Why It Does Not Have To Be In Focus, 2013, pp. 208-209, Higgins, Jackie
University of Texas Press/Amon Carter Museum, Color: American Photography Transformed, 2013, p. 231, Rohrbach, John
The New Yorker, "'The Edge of Vision,' Revisited," Photo Booth, September 18, 2013, Traff, Thea
The New Yorker, "Scenes From a Story, Film Noir and Photography," Photo Booth, June 6, 2013, Goldstein, Melissa
Aperture, "Interview with Bill Armstrong," March 18, 2013
DLK Collection, "Bill Armstrong: Film Noir," March 6, 2013, Knoblauch, Loring
The Treachery of Images, "The Disordered Eye: Bill Armstrong," March 2013, D'Agostino, John
The Women's Room, "Bill Armstrong's Film Noir at ClampArt New York," February 26, 2013, Carr, Amanda
PDN, Photo of the Day, "Bill Armstrong: Film Noir," February 20, 2013, Ching, Darren
Open Photography Forums, "Editor's Choice: The Rich "Film Noir" Photography Of Bill Armstrong," February 19, 2013, Kellman, Asher
Dailyserving, "A Sense of Noir: Bill Armstrong at ClampArt," February 14, 2013, Macaux, Emily
New York Daily News, Gatecrasher, "Pope Benedict..," March 21, 2012, p. 22, DiGiacomo, Frank
Focal Press, Light and Lens, 2012, 2nd Ed., p. 210, Hirsch, Robert
Artscope, "Bill Armstrong: Photography," December 2011, pp. 28-29, van der Wende, André
Aperture, The Unseen Eye: Photographs from the Unconscious, 2011, pp. 142-143, 164-165, Hunt, W.M
.
Focal Press, Exploring Color Photography, 2011, 5th Ed., p. 133, Hirsch, Robert
The New Yorker, “Escape From Spiderhead,” December 20 & 27, 2010, p. 110, Saunders, George
The San Francisco Bay Guardian, “The San Francisco Bay Guardian Picks,” July 1, 2010, p. 20, Stander, Sam
Aperture, The Edge of Vision: The Rise of Abstraction in Photography, 2009, Cover, pp. 212-213, Rexer, Lyle
Photo-Eye, "Mandala", 2008, Bill Armstrong with introduction by Katherine Ware, 2008, Philadelphia Museum of Art
Photo-Eye, "Renaissance", 2008, Bill Armstrong with introduction by W.M. Hunt, Clamp Art
The Boston Globe, “A Radiant Renaissance,” March 11, 2008, Arts & Performance, p. 4, McQuaid, Cate
Focal Press, Photographic Possibilities, p. 36, Hirsch, Robert
New York Times, “Focus on Light and Thrift,” November 21, 2008
Philadelphia Inquirer, “Something to Meditate on: Mandalas in Photographs,” October 5, 2008, Newhall, Edith
Art Matters, “Photo Mandalas,” October 2008, Wasserman, Robert
Double Exposure, “Spirit With a Sleight of Hand,” April 2008, Schaefer, Robert
Camera Arts, “An Accidental Photographer,” January-February 2008, pp. 82-87, Armstrong, Bill
The New Yorker, “Silent Minds,” October 15, 2007, p. 39, Groopman, Jerome
Thames and Hudson, FACE: The New Photographic Portrait, pp. 212-213, Ewing, William
Eyemazing, “Apparition,” April 2006, pp.112-119, Shabsis, Claire Stacey
AG, “Going to the Many,” April 2006, pp. 30-41, Coleman, A. D.
Lemon, “Going to the Many,” February 2006, pp. 85-92, Coleman, A. D.
Harpers, “Findings,” January 2006, p. 96, Lapham, Lewis H
Utne Reader, “Calm in the Chaos,” January/February 2006, pp. 47, 51, Schimke, David
Photo-Eye, "Apparition", 2005, Bill Armstrong with introduction by A.D. Coleman, Clamp Art
Photo Techniques, “Color Harmony in Photography,” November/December 2005, pp. 24-27, Armstrong, Bill
Tricycle, “What is true happiness?” Fall 2005, pp. 71, 77, 84, Wallace, B, Allan
House & Garden, “(american scene) photography RING MASTER,” March 2005, p. 93, Cunningham, Caroline
The Boston Globe, “Bypassing reason for feeling, soft-focus photos return,” Jan, 14, 2005, p. E22, McQuaid, Cate
The Boston Phoenix, “Photographs by Bill Armstrong,” January 7, 2005, Arts, p. 23, Millis, Christopher
Maverick Arts Magazine, Issue Number 165, January 10, 2005, Giuliano, Charles
McGraw-Hill, Exploring Color Photography, 2004, p. 263, Hirsch, Robert
Interior Design, “Update,” July 2003, p. 40, Beautyman, Mairi
Chronogram, June 2003, Cover
Hayward Gallery, “About Face,” Exhibition Catalogue, 2004, p. 51, Ewing, William
Scalo, “Here is New York,” A Democracy of Photographs, 2002, p. 397, George, Alice
Art & Auction, “Private Eye: in collector John Bennette's world, image is everything,” November 2002, p. 94-107, Widdecomb, Ben
The Boston Globe, “Gallery Review,” July 12 2001, p. 17, McQuaid, Cate
Art Actuel, “L'homme qui murmure a l'oreille de l'infini,” May-June 2001, pp. 68-71, Nakamura, Rose Marie
Foto Reflex, “Viaje al Infinito,” Ano 6, No, 27, 2001, pp. 25-32, Tovar, Helena